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In Wasteland, Vittoria Di Palma takes on the “anti-picturesque,” offering an account of landscapes that have traditionally drawn fear and contempt. Ideas cannot be too much prized in and for themselves, cannot be too much lived with; but to transport them abruptly into the world of politics and practice, violently to revolutionize this world to their bidding,–that is quite another thing. She was thus superbly qualified to call a spade a spade, as when she mocked Philip Johnson’s proposed AT&T Building as a postmodern pastiche that borrowed un-persuasively from such disparate sources as a Chippendale highboy dresser and Brunelleschi’s Pazzi Chapel, stretching that Renaissance masterpiece to massive, almost Fascistic scale.

Pages: 144

Publisher: Architecture, University of Edinburgh (August 10, 2009)

ISBN: 0955970644

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